We are in a world we partly know. Bach and Ligeti are just over the horizon. That tune rings a bell. Memories stir of sound as clear as light. And yet everything is different.
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Now the question and then the answer. Among the leading younger figures of the s, Hans Abrahamsen largely ceased original composition until the arrival almost a decade ago of his Piano Concerto, and now comes his largest project yet. Lustig spielend, aber nicht zu lustig, immer ein bisschen melancholish three woodwinds and piano Intermezzo 1. Can a phrase be answering? And where the first one does not include the space, the second one does, as well as containing more canonical traces.
Hans Abrahamsen Schnee. Gramophone products and those of specially selected partners from the world of music. And what is a Nachsatz [consequent phrase]? Retrieved 26 January Depending on the perspective on these canons, the music and its time can stand still or move either backwards or forwards.
In Schneea few simple and fundamental musical questions are explored. Schnee explores the idea that our perception of nearly identical patterns causes the imagination to project new forms by itself How to say how?
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Schnee grew out of his transcribing of Bach canons: I became totally absorbed into this music and arranged them with the intention of the music being repeated many, many times, as a kind of minimal music. In my own work, an ongoing idea has persisted, of at somepoint writing a work consisting of a number of canonical movements that would explore this universe of time. The scene is set by a pertinent note from the composer, keen to avoid the impression that the rarefied nature of his music makes it wantonly cerebral — something with which those who give this disc the benefit of any doubt will surely agree.
Lustig spielend, aber scgnee zu lustig, immer ein bisschen melancholish tutti Canon 3a. A sound world to which Ensemble Recherche is evidently attuned and which is vividly conveyed by this recording, in which the antiphonal placing of the ensemble violin, viola and cello to the left with flute, oboe and clarinet to the right, each of these trios featuring a piano to the rear and separated by a central percussionist is afforded almost tangible presence.
The guideline or rule for the canons is very simple: Die Welt in German. I became totally absorbed into this music and hane them with the intention of the music being repeated many, many times, as a kind of minimal music. TOP Related Posts.
Hans Abrahamsen: Schnee
But that quiet, frozen rustle at the close is an essential nod to another of Mr. Abrahamsen said in an interview at his Midtown Manhattan hotel before the Carnegie performance in January. Borrowing a piece of paper, the trim, soft-spoken composer began sketching out analytical parallels between the works. Abrahamsen, who walks with a distinct limp, has cerebral palsy.
Early life[ edit ] His interest in composition and piano began after hearing his father playing piano. His first attempts at "little melodies" were designed to be played with the only two fingers on his right hand that were capable of playing the instrument. After realizing that he would not be able to progress, he shifted then shifted his focus to French Horn. From to , he studied horn, music theory, and music history at the Royal Danish Academy of Music in Copenhagen.
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